There's a very nice article in the recent New Yorker about vampires. The writer discusses the vampire myth in general, and how books like Bram Stoker's Dracula have maintained its popularity throughout the modern era. Truth is, since Stoker, vampires have enjoyed a cult following in fiction, movies, television, etc. In explaining cults of this type (there's a "culture" pun here that I am missing), the author, Joan Acocella, says that "cults often gather around powerful works of the second rank. Fans feel that they have to root for them."
I thought this was a great way to put it, explaining fandom very succinctly. I'll remember that one!
Monday, March 16, 2009
Tuesday, January 13, 2009
Obamicon

Monday, January 05, 2009
Saturday, December 20, 2008
Friday, December 19, 2008
FYI, Intelligentsia
Well, the New Yorker has really beefed up its web offerings, including a complete digital version of the magazine every week. Too bad the user experience TOTALLY SUCKS ASS. Take that, snobs!
Monday, December 15, 2008
Friday, December 12, 2008
RFTC Back From the Dead

Thursday, November 20, 2008
Cream of Sum Yung Gai
OMG, this is awesome. Thanks to KJ for the head's up. There is nothing more to say, other than: hilarious!
Wednesday, November 19, 2008
Renaissance, Indeed!

First of all, I was really excited to hear that Q-Tip had a new album out. But it got me to thinking about "Amplified" and a nagging question that has bugged me for almost a decade (seriously). To wit: why the heck was "Amplified" met with such a lukewarm reaction from both critics and fans? I still don't get it. I have listened to "Amplified" on and off since its release, and I still enjoy it to this day (despite the horrible -- HORRIBLE -- closing track with Korn).
The merits of "Amplified" are pretty clear to me: strong beats, smooth rhymes and two really awesome singles ("Breathe and Stop" and "Vivrant Thing"), but I think the album failed to meet expectations. (Once again, the Schwartz Theory of Media Consumption rears its head.) To be specific, I think fans and critics were expecting a Tribe album, and didn't get it. But that doesn't mean that "Amplified" was a failure.
I have a theory that Q-Tip just wanted to make a party record after Tribe imploded. "Amplified" is a simpler kind of album when you compare it to Tribe's stuff. Definitely poppy with slick production. Maybe without Phife to counter his rhymes, Q-Tip came across as rather flat. (Remember Chuck D's solo album?) Anyway, the point is that I like "Amplified" for what it is, and not what it isn't.
As for "The Renaissance" -- I have listened to it a number of times, and it's good. But not necessarily as good as "Amplified". I'm sure I'm in the minority opinion on that one. But there are people who agree:
From an Amazon user review of "Amplified":
i don't understand why this album's so undervalued...
yes, it may be far different from atcq albums, but is certainly a big part of 'him' anyway that still lives!
just loved it. n' still loving it :)
This got me to thinking further: are there other really good albums in my collection that just didn't resonate with critics and/or fans? I'm sure there are. I'll have to ponder that one.
Tuesday, November 18, 2008
Thursday, October 23, 2008
Thursday, September 25, 2008
The Life and Times of Tim

I watched more clips on the website. The show seems to have ripped off the Soup 2 Nuts (Home Movies, Dr. Katz) style wholesale. Yeesh! So it would appear that there is nothing very original about The Life and Times of Tim , but that doesn't stop it from being sorta funny. One clip, entitled "Corporate Challenge" (in which Tim's boss wants to do some "gay stuff") made me laugh. But seriously: the tropes, the timing, the pacing, the voice direction, even the crappy drawings...it all screams Soup 2 Nuts.
The show seems to have a decent pedigree, not to mention the backing of HBO. The creator, Steve Dildarian, has a background in advertising and attended SVA. There's clearly some talent behind this thing. And I'm sure it will have its moments. (I liked the arm wrestling bit on the airplane.) But I predict a pretty limp showing on HBO, followed by a quick trip into animation oblivion. Or to Adult Swim. Too bad. A missed opportunity!
Friday, September 19, 2008
Facebook, I'm Dead to You

I will say this: I can appreciate Facebook as a platform and find it to be a pleasant distraction. On a "meta" level I can also see how it (and sites like it) are changing the landscape of how we communicate with each other. I also find it to be a giant pain in my ass, and therefore, Facebook: I'm dead to you. Our relationship lasted a little over seven months, and I never even got a blowjob.
Friday, August 22, 2008
Oh God Please Don't Fuck This Up
Louis Letterier, the guy who made "The Transporter" and this summer's "Hulk" movie is in pre-production on a remake of Clash of the Titans -- my favorite movie of all time.
Friday, July 11, 2008
Love Question
Okay so regarding Love's seminal 60s album "Forever Changes" -- is the "changes" in the title a noun? As in, "These aren't just regular changes. These are forever changes." Or is it a verb? As in, "Don't worry, kiddo. Forever doesn't stay the same. Forever changes."
Thursday, June 19, 2008
Monday, June 16, 2008
Monday, June 09, 2008
Calling Cat-22!
Thursday, May 29, 2008
Cartoon Network = Boys
Great article about Cartoon Network's new direction, from last week's Variety.
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